Parashat Vayishlach - Livin' on a (Jewish) Prayer

 For those of us of a certain age, the soundtrack of the 1980s is indelibly embedded into our psyche.  Unlike the 1960s where they say that if ‘you remember it, you weren’t really there’, 1986 was a particularly vintage year in my adolescence.  It was the time of Paul Simon’s Graceland, when you couldn’t go to a party without hearing it on the Hi Fi (remember those?); watching Peter Gabriel’s ‘Sledgehammer’ video with its then state-of-the-art animation and singing one of the greatest rock anthems that ever ruled the airwaves – Bon Jovi’s ‘Livin’ on a Prayer’.

Who can forget the catchy refrain?

Wo’ah, we're halfway there
Wo’ah, livin' on a prayer.
Take my hand, we'll make it I swear
Wo’ah, livin' on a prayer.

Written by Desmond Child, John Bon Jovi and Richie Sambora – once heard, was forever cherished in our hearts and stored in our minds.

When Richie asked Jon whether he thought it would be a hit when he was writing it, John famously replied ’not at all’.  They walked out of the studio where they had just recorded the track and he added, “Eh, it’s okay.  Maybe we should just put it on a movie soundtrack.”  Richie looked at him and said, “You’re an idiot.  It’s really good.” Jon said, “I just don’t know where it’s going. But it didn’t have that boom-boom-boom bassline yet, so it sounded more like The Clash.”

Fortunately, for the rest of us, he was proven wrong, granted that the track was a worldwide hit and in 2013, achieved 3 times Platinum status in countries like the USA (where it hit the number 1 spot, selling 3,400,000 copies to date, of which 3 million are downloads) and in the UK where it sold 1,800,000 copies.  As of July 2022, it has had over 963,000,000 views on YouTube.  Not bad for an ‘OK’ song.  I would hazard a guess that when you consider Bon Jovi’s oeuvre, ‘Livin’ on a Prayer’ immediately comes to mind.  No surprise as it is viewed as their signature song.

Jon Bon Jovi was raised in the Catholic faith emanating from an American-Italian family, originally from Sicily.  Although not religious himself, he, along with his co-writers, based the song on some real-life couples (including Richie’s parents) whose life decisions were formulated from their deep-seated faith.  Through thick and thin, the partners remained together and their abiding religious beliefs pulled them through the peaks and troughs that mark our journey through life.

This song comes to mind when I look at the precarious situation that Jacob finds himself in at the start of this week’s Parasha.

He was facing the very real threat that his twin brother, Eisav accompanied by 400 men, would surely exact his violent revenge for what had transpired twenty years previously over the deception of their father.  Jacob, a man of deep faith was troubled by his own previous behaviour, which he feared Gd might punish him for.

As per the commentary in the Artscroll Stone Chumash, Rashi explains the notion that righteous people like Jacob are ‘never sure of themselves’ and that he may have ‘forfeited his right’ to Gd’s protection.  The Midrash adds that Jacob was frightened by the fact that he was frightened.  In other words, his fear might have indicated a lack of faith in Gd in the first place.

He therefore chose a three-pronged approach.

1.    He created two camps, dividing the people travelling together in their human caravan.  He kept his wives and children together so that (according to the Abarbanel) he was able to place them in the rear of one camp accompanied by males, maidservants and cattle so that they could be protected.  Jacob, along with the other people and animals, remained in the first camp so that, should the worst happen and Eisav attacked them, the second camp would be able to flee to safety.

2.    He prayed to Gd and asked to be rescued and allowed to return to Canaan (see Verses 10 to 13).

3.    He sent an extremely generous and lavish gift to Eisav consisting of hundreds of goats, ewes, rams, camels, cows, bulls and donkeys.

Jacob’s life, and those of his loved ones, were in the balance as far as he was concerned.  To survive, he would need to do more than ‘live on a prayer’.  In choosing to formulate this approach, he demonstrated the Jewish way to face an existential threat.

It’s like that old joke, where the man prays to Gd to win the lottery and after forty years without success, cries out bitterly that Gd is not answering his prayers.  Whereupon Hashem visits him in a dream and says, “I’ll meet you halfway but first of all, you have to buy a ticket!”

There is a concept in Judaism called Hishtadlut.

The Midrash  in Shir Hashirim Raba (Song of Songs 1.1) relates the story of a Sage, Rabbi Chanina ben Dosa who saw the residents of his city taking up burnt offerings and peace offerings to the Beit Hamikdash. He wanted to do the same but was quite impoverished and couldn’t afford to buy anything that would be worthy of being donated to the Holy Temple.  Whilst going for a walk one day, he came across a beautiful looking stone which he felt would be fitting for the Temple.  However, it was too heavy for him to pick up.  He tried to enquire how much it would cost to hire some men to carry the stone for him but again, the price quoted, which was 100 gold pieces was prohibitive.  Then, five workers approached and offered to help him lift the stone for the sum of five sela, which was very little. They laid down a single condition.  He too must be involved in the process by placing his hands under the stone to assist them in lifting it up.  He agreed to this, grasped the stone from underneath and looked around to see that they had been transported miraculously to the Temple.  The men however, had disappeared and he was unable to pay them for they had been angels who were sent by Gd to help this pure-hearted man achieve his goal.

The question that we ask is, “If these men were angels in disguise, why did they ask him to put his hands under the stone to lift it?  They could have done the work without him?”  The answer is that, for Hashem to help us, we need to do our bit too.  That is hishtadlut.

Jacob could have placed all his faith in Gd to protect everyone.  That he incorporated his prayers into his general plan of action tells us that prayer, as important as it is, is not enough.     If we want Gd to help us, we must play our part too.  We have to buy that lottery ticket; The IDF needs feet on the ground to protect our holy country.

When we recite the prayer for the State of Israel and Tzahal, we say:

“Put into their hearts the love and fear of You to uphold it (i.e. the country) with justice and righteousness…Heavenly Father: remember the Israel Defence Forces, guardians of our Holy Land.  Protect them from all distress and anguish and send blessings and success to all the work of their hands…

Judaism recognises that hishtadlut which means ‘human efforts expressing man’s free will’ must work alongside ‘bitachon’ – faith in Gd, in order to ensure that we receive the blessings that we hope he will shower upon us.

Returning to the lyrics of the song, we can relate these to this idea.

With Hishtadlut, we are half-way there.  And if we do our bit, He will help us to ‘live’ on a prayer.

May Hashem continue to answer our prayers and may we endeavour to play our part in bringing about our salvation.  We need to remind him and ourselves that before receiving the Torah at Mount Sinai we were the only nation that pledged to ‘do what He asked of us and listen to His words’ – na’aseh venishmah.  It’s not enough to do without listening to His words.  It’s not enough to listen to His words, without making an effort on our part.  In other words, we are ‘livin’ on a prayer’ whilst simultaneously engaging in Hishtadlut.

It is the perfect partnership and as we’ve seen, through the millennia, it is our proven recipe for survival.

Shavuah Tov


Comments

Popular posts from this blog

Parashat Miketz (Chanukah): Dreams

The Torah's Isolation-Busters - Turning the Negative into Positive

Parashat Mishpatim: Divine Blue